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Tarot of the Renaissance
by Giorgio Trevisan

Tarot of the Renaissance - XII - The Hanged Man This is a lightly colored, traditionally formatted tarot that has been described by others as "an art deck." It is an art deck, because the images are artistically styled with much real skill and talent, and because the images tend to evoke the historical period that the artist is going for: the Renaissance. But the deck is not limited to being an art deck, and I have in fact found it quite useful as an "all-purpose" tool for general inquiries and soul-searching.

"The allegories of the Chyvalrious World lead to a new perception of the human nature."

This statement, that appears on the box, is apt. The cards strive to do more than their traditional counterparts, while avoiding creating a new form of tarot.

The Major Arcana images portray the inner truths of the human soul. They veer from the traditional images while very successfully retaining the traditional meanings. These images draw upon the knowledge of ourselves that we have gained through centuries of looking within, analyzing what it is to be human.

What I truly love about this deck is how these images, with their slightly altered symbolism, really speak to me. The High Priestess sits serenely by an open window, holding a book that is adorned with a Yin Yang. This gives me an impression of Eastern wisdom, a meditative quality, but seeing the Renaissance woman in her long flowing garb, implies the importance of being open to other schools of thought, other spiritual truths taught outside one's home culture or religion. This, to me, signifies important elements of the High Priestess: intuition, deep wisdom, far-reaching understanding. The Hermit, standing with arms upraised and eyes toward Heaven, reminds me of a Biblical patriarch or prophet, looking for God. His environment is colored with rosy brown hues, strewn with hard rocks, and the sky behind him is empty. The scene is devoid of other people, or material items. The Hermit stands alone in nature, like a renunciate who has given up everything in search of Spirit. The Wheel shows a young, blindfolded figure riding a single wheel on the beach. There is a smile on the child's face, and her arms are out slightly, to keep balance and stay atop the wheel. This Wheel effectively gives the feeling of unknown fate or destiny. The card of Temperance has personal symbolism to me. It reminds me of one of my mother's favorite paintings by Vermeer. The Devil stares smugly out at the reader, not a frightening figure in his black and red cloak, but tempting with his bag of overflowing coins and the serpent (of false wisdom?) he offers. I usually dislike the Devil card because in most decks he is an ugly creature meant to scare. But it is not the frightening or ugly that tempts us - it is the dangerously attractive. In this Devil we see ourselves being mocked for our base desires, for being lured by what is not best for us spiritually. Though the Devil here does not carry an appearance of immense supernatural power (he holds no human figures in chains, for example), he very clearly represents the power of rashness, or superficiality, in our lives. This Devil points out that it is we who are responsible for our downfalls, for the mishaps in our lives, not some outside force.

Tarot of the Renaissance - Three of Wands The strength of symbolism continues into the Minor Arcana, where we see a unique take on many of the cards. I am impressed by the intuitive, psychological interpretation of many of the cards. In the Three of Wands, we see the forming of ideas expressed in a triangle of wands suspended in air behind a lone figure. The feeling of abundance, warmth, and secure love of the Nine of Cups is demonstrated by the picture of a man returning to a home lit up with golden chalices in every window. The Three of Swords, which is generally depicted as a wounded heart, is portrayed here as a woman weeping beside a slain man (her husband? brother? father? ... her heart). The Eight of Pentacles shows a man walking in silent contemplation, away from the scene. Left behind in his footsteps are the golden coins, the previous wealth that no longer fulfils him. As in the traditional meaning of the Eight of Pentacles, this card represents the need for substance. Each suit offers intriguing scenes such as these, that serve to awaken within us an acknowledgement of something deeper. In this deck it is not so much mystical or magickal, as it is intuitive and psychological. For this, I admire and appreciate Trevisan's work.

The Court cards show men and women in luxurious clothing or armor, generally holding their instrument (sword, etc.). Knaves are men in standing poses. Knights, also men, sit on horseback. The Queens sit regally, except for the Queen of Chalices who is shown walking with a small figure, perhaps listening to his troubles or offering advice. Three of the Kings are at their thrones; Tarot of the Renaissance - King of Swords the King of Swords is shown in a triumphal pose. For the most part there is consistency among the Court cards. Some of them are quite beautifully done - I especially like the Queen of Wands, who is graced with an ethereal golden light from a nearby window.

Unfortunately, a few of the cards veer a little too much from their traditional meanings. It might create some initial confusion to draw the Three of Chalices (Cups), and see a woman sitting forlornly alone. The little booklet that comes with the deck says for this card, "Nostalgia, daydreaming about the past." I have always seen the Three of Cups as a card of celebration, coming together in joy. The little booklet might be necessary for determining some of the intended meanings of certain cards, but I would use it very little and simply rely upon my previous understanding of tarot and my intuitive perception of the cards. It might take a little extra work, but I think it would be very much worth it.

The booklet does state, "Today, the esoteric element of the Tarots has changed quite a bit from the original ones, blending in with Eastern disciplines and psychology. The magical and esoteric component gave way to introspection and analysis of the human being, at least regarding the Renaissance Tarot." Further, it says
"... the historical Renaissance, after the dark period of the Middle Ages, became a symbol for awakening our hearts to hope, serenity, and courtesy. The cards, in fact, would like to transport us to an aware state in which the present (where we are), past (where the cards can look to), and the future (where our desires are directed) are fused together in an evocative combination."
I think this deck succeeds at its purpose and is a very special traditional tarot, that is beautiful, artistic, and truly unique.

Tarot of the Renaissance - Ace of Coins Tarot of the Renaissance - XIII - Death Tarot of the Renaissance - Nine of Cups

Card artwork by Giorgio Trevisan

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Tarot review by Nellie Levine

Publishing tarot deck reviews, original tarot spreads, articles, and personal reflections for tarot enthusiasts, practitioners of the intuitive arts, and followers of alternative spirituality since 1999. Woman owned.
All writing, reviews, and photography © Nellie Levine, unless otherwise noted. 1999-2022